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On today’s episode of Disney heroines that hold up surprisingly well . . . Alright, I don’t actually know if I’ll turn this into a series or not. You’ll have to let me know in the comments below whether you think it would be worth my while. But for now enjoy my assorted thoughts gathered from watching a Disney classic with my siblings. Classic Disney movies get a lot of flack. And sometimes it’s deserved. Outdated and hurtful cultural representation can pop up out of nowhere. Heroines are subjected to sexist interpretations. And I still want to shake some sense into Ariel’s head. Classic stories can at times be a land mine. But sometimes, classic films surprise me. Sometimes they seem to know how to craft characters and stories better than we do today, or at the very least, in a different way than we use now. We live in a different time, and therefore the tools at our disposal and the effect they have are different. But we can still learn a lot from the classics, both things we shouldn’t do and things we should start again. And I found some in the 1953 Disney classic Peter Pan, of all places. Before we get started, we need to address that elephant in the room. Or crocodile. Or however you wish to refer to it. Remember what I said about outdated and hurtful cultural representation? I don’t feel that I can write about this film without acknowledging that this film uses racist caricatures against Native Americans. Despite all her other wins, Wendy and the other characters in the film reinforce these stereotypes. In no way, shape, or form do I condone the caricatures and stereotypes in this film. They were wrong then and they’re wrong now. This is one of those cases where we can learn from what they did wrong, so we can avoid those mistakes in our own writing and real-life interactions. Now let’s get started. Because this is an article about a Disney heroine that held up surprisingly well in the decades between then and now. And I’m talking about none other than Wendy herself. If I’m truthful, Wendy always irked me just a little bit when I was younger. Peter and the other boys got to have sword fights and outsmart pirates and Wendy got to sit there on the rock and watch. It seemed like she was pushed aside and forced to look on while the boys got to have the real fun. And yes, a Wendy sword fight would have been epic. But on my most recent watch through, I realized that Wendy is an especially strong heroine, and in many ways counter cultural to the era that she was created in. She might have a few things to say about our own heroines as well. The Real Leader of the Lost Boys If I asked you who the leader and protector of the Lost Boys was, most of us would answer Peter. And the movie likes to pretend it agrees. But there’s only one person that can get the boys in line with only a few words. And it’s not Peter. It’s Wendy. From the very start, Wendy is the leader and protector of her brothers. She sticks up for them against their easily angered father, even when gets her banished from the nursery. Her leadership and protection extends to the Lost Boys. She reminds the boys of who they really are and what they really want. With only a few words, she reminds them that they really do want to go home. When pirates capture them all, the boys would have caved immediately had she not been there. Wendy rallies them against the pirates and encourages them to stand strong in their beliefs, even when it looks hopeless. So from the start to the end, Wendy plays a traditionally masculine role in the story, even though it’s never stated outright. And yet she does it all without becoming controlling, or quite frankly, ending up like Peter himself. Peter has to rule through control and putting others down, while Wendy’s kindness makes her strong. Wendy is the only person who can see through Peter’s bravado and call him out on it. She is the only person who disagrees with him and questions him. And when it comes down to it, she’s the one who’s willing to outright defy him and leave. And this movie was made in the 50s! Fifties-era girls rarely got to be the leaders or protectors of anything. Which makes Wendy even more astounding. Your Mother and Mine When Disney remade Peter Pan in 2023, I stumbled upon an ill-fated review of the film. The reviewer criticized the fact that Wendy took a more pivotal role and joined in on the fights alongside the boys. “It takes away the core of her personality, her very femininity!” they bemoaned. “Wendy was and always will be a mother.” I have to wonder if they watched the same Wendy that I did. (To be fair, I wasn’t a huge fan of the remake either, but that wasn’t the reason why.) Peter Pan—both the movie and the character—seems determined to push Wendy into the mother role. The only reason Wendy gets to go to Neverland at all—even though she’s the one who believes in it the most—is because Peter thinks she might take care of them. But Wendy quietly pushes back against this, too. During the extremely cringeworthy scene in the natives’ camp, Wendy is told that she cannot join the celebration with the boys. She’s told that her job is to gather firewood and clean up after everyone else. And what’s her response? To quietly fall in line? Nope. She straight up just goes home. But even as she quietly insists she’s worth more than cleaning up after the boys, she also recognizes and celebrates the immense value of motherhood. Even as she recognizes that she has worth beyond cleaning up after the boys, she also recognizes the immense value of motherhood. It shapes a pivotal moment in the film and in the Lost Boys’ lives. (Mary Darling deserves her own mention here too as a rare and fantastic example of a Disney mom.) Wendy can say that she’s not the Lost Boys’ mother even as she celebrates mothers. She doesn’t have to tear down one to lift the other up. That dynamic is becoming a rare and beautiful art. Wendy recognizes that she has worth beyond what she can do for the Lost Boys. Wendy’s Wonder And yet she remains one of the most idealistic characters in the film. That’s the best thing about her. She doesn’t have to lose any of her softness to be strong. She doesn’t have to lose her wonder to be a leader, or her kindness to be a protector. Rather, those things are her strengths. Her softness, wonder, and kindness enable her to challenge the norm, to take on that role of leader, and to recognize her own worth. In the end, Wendy’s sense of wonder saves them all, her stubborn belief that Peter Pan is real and that he will come to save them. She might not pick up a sword and beat off an approaching pirate (although I fully believe she would have thrown hands with a mermaid), but she rallies all the boys to keep believing. Her wonder is what earns her a spot on Disney heroines who hold up surprisingly well. So what do you think? Is this worth a series? Who’s your favorite Disney heroine, or any heroine you’d like to see me cover? Let me know in the comments below! Hi, I’m Rachel! I write young adult/new adult fantasy novels that walk the line between the darker elements of fantasy and the weirder elements of cartoons. But more importantly, I write the novels I needed growing up—the novels I still need. Novels for the weird little girls and the women they’re becoming. Maybe you need those stories, too? You can get one for free by signing up for my email newsletter via the “HOME” page of my website. It might involve a girl and the magical violin she didn’t want and maybe a metaphor about grief. Plus, you’ll also get email-exclusive updates about what I’m reading, watching, and writing. Sound good? I hope I’ll see you there!
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Hi, I'm Rachel! I'm the author of the posts here at ProseWorthy. Thanks for stopping by! Archives
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